Harbour Forms III (Blue Edge) Joanne Freeman Rather than planning precisely where

Rather than planning precisely where her composition will lead her

a diluted pigment (mixed inks

The squares themselves are fashioned by a process of finding regular squares within the fluid lines of a freehand grid that run through the textured paintwork

all seasons

This technique allows the viewer to engage with the artwork on multiple levels

Harbour Forms III (Blue Edge) Joanne Freeman Rather than planning precisely whereAnnear works with oil, building images from layered shares and creating complex surface textures. He incessantly explores the relationship between the abstraction and paint, focusing on deciphering the relationship between the natural environment expressed in his earth tones and raw primary colors.